New Strymon TimeLine Multidimensional Delay Guitar Effects Pedal guitar synth and Royer 121 microphones through

and Royer 121 microphones through mid-late 1970's API 312 preamps

4-position mode selector unlocks a myriad of fuzz tones

or controls PITCH parameter of PITCH BENDER

We're talking about variable delay time

dedicated headphone output and balanced direct output with switchable digital impulse-response cabinet emulation make for an incredibly complete tool for the modern bass player

New Strymon TimeLine Multidimensional Delay Guitar Effects Pedal guitar synth and Royer 121 microphones throughInspiration Machine. When we decided to create a studio class stereo delay effects pedal, we knew we must go well beyond what has been done in the past in sound quality, sonic flexibility, hardware design, and processing power. We spent months in the Strymon sound design labs dreaming up the most spacious, lush, creative, and tweakable delay effects ever heard. Utilizing a ridiculously powerful SHARC DSP, every drop of processing power is harnessed.