Rooms We Made Safe pierre-louis-carlier un projet éditorial singulier qui

un projet éditorial singulier qui ra- conte en images les obsessions plus ou moins récurrentes des photographes contempo- rains

le trafic d'armes et le racket de protection

la philosophe Susan Bordo affirmait que nous vivons dans un "empire des images" et

l’art et ses connaissances plus accessibles

grâce à la superposition des images

Rooms We Made Safe pierre-louis-carlier un projet éditorial singulier quiMichella Bredahl grew up in a social housing district on the outskirts of Copenhagen with her single mother and her younger sister. At a young age the two sisters were confronted with their mother's addiction, which had a deep impact on them. In "Rooms We Made Safe" Bredahl revisits the terrain of her youth, once a dangerous space, and reimagines it as a powerful artistic expression. Like the writer's pen, the turns her camera into a powerful