A Naked Chair EGGLESTON de triangles et de points

de triangles et de points et de la fréquence des formes d'ornements floraux utilisés

Partis plus d'un an sur les traces des cabanes sauvages

dont des images inédites de textiles nouvellement découverts

This story is that of my sister

Le clair-obscur n’est donc pas seulement une technique picturale du passé

A Naked Chair EGGLESTON de triangles et de pointsDieter Hall portrays man thrown back on himself. Ecce Homo, behold the manwithout his social attributes, often nude, in splendid isolation. Hall seeks the common denominatormetonymically called the Naked Chairof mere existence in the images of others (mostly male) bodies. He regards things, objects, gardens and landscapes with the same searching gaze. His minutely arranged still lifesa glass, a flower, a chair call to mind Bonnard and Matisse. Halls